VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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VELAZQUEZ, Diego Rodriguez de Silva y Duke oil painting


Duke
mk237 1625-1626 Oil on canvas 216x129cm
Painting ID::  54688
VELAZQUEZ, Diego Rodriguez de Silva y
Duke
mk237 1625-1626 Oil on canvas 216x129cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil painting


Filipu
mk237 1627 Oil on canvas 200x103cm
Painting ID::  54689
VELAZQUEZ, Diego Rodriguez de Silva y
Filipu
mk237 1627 Oil on canvas 200x103cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Potrait of Young man oil painting


Potrait of Young man
mk237 1625 Oil on canvas 32x24cm
Painting ID::  54690
VELAZQUEZ, Diego Rodriguez de Silva y
Potrait of Young man
mk237 1625 Oil on canvas 32x24cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Deer oil painting


Deer
mk237 1626-1627 Oil on canvas 58x44.5cm
Painting ID::  54691
VELAZQUEZ, Diego Rodriguez de Silva y
Deer
mk237 1626-1627 Oil on canvas 58x44.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil painting


Filipu
mk237 1626-1628 Oil on canvas
Painting ID::  54692
VELAZQUEZ, Diego Rodriguez de Silva y
Filipu
mk237 1626-1628 Oil on canvas
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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